Always starting from a photograph, with an existentialist discourse, in his work there are present pictorial, cinematographic, musical and, lately, also influences from the world of science. In his photographs there is an investigation into the psychology of the image itself and he habitually uses resources such as imperfection, distortion or manipulation as tools linked to intensifying perception, trying in some way to transcend the images to the point of reality they show.

The artistic installation Foto finish? (2014) marks a turning point in their work, by questioning the very photographic fact and the validity of a continuity from veiled photographs, in the face of the overexposure of images in which we are currently subjected and which conditions creative doing.

In recent works there is a search for new photographic languages, on the limits of the image itself, in a process that has much experimental and where photography appears as a tool in an artistic discourse and where different languages such as installation, sound or video are mixed, and that has in the discourse of quantum physics the main source of inspiration.

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