Biel Mesquida has always been characterized by his struggle against the limits of the literary, using form as a fundamental articulating mechanism. Torrential and sensual, ready to play without renouncing the impetus when necessary, Mesquida has advanced his work from diverse genres and formats, always chosen with a renewed will. Two of his latest books insist on this line: Llefre de tu is, from its very title, a commitment to making language an interior landscape. Els missatgers no arriben mai is a play that shows a Mesquida more restrained than usual to recreate the stories of three mythical women: Enona, Clitemnestra and Ismene.