With Polish roots, she was born in Palma de Mallorca in 1990. At the age of three, she began her training in dance and, for ten years, studied classical ballet and Spanish dance at different academies in Palma. At the same time, she began in the world of music with three years of piano, in the Conservatory of the Balearic Islands, and with private percussion classes. Subsequently, she changed her dance style and became acquainted with Hip Hop, dedicating herself as a teacher until 2011.

As for theatrical training, in 2004 she began amateur work at the Teatro Sans until 2008, when she began her degree in Textual Interpretation at ESADIB (Escuela Superior de Arte Dramático de las Islas Baleares). She graduated in 2012 and later continued with different improvement courses in Clown (Italy), Classical Pantomime (Poland), Meisner Technique, Michael Chekhov, Comedy of Art, Dramaturgy, etc.

In the professional field, in her beginnings, she created shows such as Amors en Picat, La Sang and some street shows with the MadameLena Company. In 2013 he started the body theatre company Trapo y Mocho with the actress Aina Zuazaga, a duo that is still active today. In recent years, Aina Jagla has participated in productions of her own at Palma's Teatre Principal, some Teatres de Barra as an actress and playwright, and in the first three seasons the IB3 series, Treufoc, playing the role of Marina.

About Aina Jagla's latest production: 

Closques talks about family trees, survival patterns and imposed camouflages. The story of three women, with a kind of domino effect, interrogates the times we live in, the path we have taken and the behaviors that make us so human.

Closques is an experiment, a first attempt; a piece of creation that only wants to be listened to, to talk about what worries us so much.

A textual play, for an adult audience, lasting approximately one hour. Tragicomedy of our own creation that shows three female characters, with involuntarily related histories, that move by passions, fears and lies, many lies. The play wants to talk about why we don't show ourselves as we are, about the weight and danger we accumulate with deceit, and about the truth that inevitably lies behind all this.